Jeanne moves from room to room. In the anonymous hotel bedrooms of Paris – Hotel Agate, Hotel Prince Albert, Hotel Prince Monceau, Hotel Coypel, Hotel Nord & Champagne – she undresses man after man, forgetting faces, names, pleasures, thoughts, and all physical attributes but one. In her head, a palace of memories is being built, image by new image, lover by new lover. There is no pathologizing Jeanne; she resists it. There is no way to impose a story on Jeanne; she escapes it. There is no pitying Jeanne, no lusting after Jeanne, no uncovering the secret to Jeanne; she won’t allow it. Jeanne moves from room to room.