Promotes interchange between scholarship and practice in the field of performance and emphasizes on contemporary performance arts within changing cultures.On Writing & Performance: Editorial – Ric Allsopp & Julieanna PrestonTracing the Essay in Contemporary Performing Arts – Jasper DelbeckePerformance as Text. Text as Performance: Love Like Salt, a collaboration between a writer and an artist – Jess RichardsFour castings [artist’s pages] – Julieanna PrestonExcerpts from the Library of Babel. A meditation on writing, electricity and ghosts – Ted HiebertTalking Text and Writing Extemporaneity. Aligning David Antin’s talk performance and editorial practices – Ira S. MurfinHow We Talk About The Work Is The Work. Performing critical writing – Theron SchmidtPerforming Academia in Public Space in Turkey – Ozgul AkinciColluding with Darkness – Tru ParahaCrpyt-Poesis. Writing as performance archaeology – Sophie Sleigh-JohnsonIn Praise of Doubt. Bringing sound studies to performance writing – Lynley EdmeadesBlast Theory’s Karen. Exploring the ontology of technotexts – Seda IlterDisrupting the Market in Echoes. Voice, body and technology in poetry and performance by Hannah Weiner and Holly Pester – Mark LeahyThe Feminist Possibility of Reader-as-Performer in Caroline Bergvall’s Goan Atom (1. Doll) – Sydney TranNotes On Caring Labours. Re-collecting performances of noticing in taking note(s)_performing care – Jen Archer-MartinRewriting Participation. Takuya Murakawa’s Everett Ghost Lines – Kai van EikelsAstral Nomads. The way to the future – Yuliya Sorokina, Anar Eshmuratova & Laura MussabekovaTowards Song. Re-shaping spoken lyric – John Hall & David PriorPhantom Scripts. The censor’s archive and the phantom scripts of improvisation – James McLaughlinWRITING upon DIRTY EDGES and CLEAN LINES – Lisa MunnellyAutobiography: me, myself and you – Amaara RaheemThinking Circularly around Performance S/Objects – David HallArts Archives. Introduction to ‘A Digital Essay On Performance’ – Peter Hulton